While the maker movement continues to gather publicity, one of its most critical dynamics seldom makes the headlines: the right to unmake. Now the College Art Association has published a call for presentations on unmaking and “Lego-like” creativity for its next annual conference in Los Angeles in February 2018.
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In 1994 artist Douglas Davis hit upon a surefire way to write a preposterously long sentence. He and his collaborators created a page on what was then a fledgling World Wide Web through which anyone could add words and phrases onto a growing string of HTML. Two decades later, it fell to digital conservator Ben Fino-Radin to restore this landmark of Internet art. He described the process–along with his work to recover the earliest Macintosh icons and manage digital collections at the Museum of Modern Art–in a teleconference this spring with students of the University of Maine’s Digital Curation program.
If you’re over 30, chances are you’ve stumbled on a CD-ROM, game cartridge, or floppy disk in a box that you’d like to access but can’t, because you’ve long gotten rid of the hardware that went with it. Maybe you imagined your local library or museum has been stockpiling vintage Ataris and Mac 512s, but even they will be hard-pressed to keep obsolete hardware running in the long-term.
What if running those old programs were no harder than launching a Web browser? Last week Dragan Espenschied presented this option in a teleconference organized for students of the University of Maine’s Digital Curation graduate program.
Good news for out-of-state and international students interested in the University of Maine’s online Digital Curation graduate program.
The University has extended its long-distance discount to students who enroll in the Certificate by this spring.