A picture may be worth a thousand words, but in this case a single line of code is worth 300 pages and 70 illustrations. Still Water Senior Researcher John Bell is one of the authors of a new MIT Press book that scrutinizes a single line of code from the Commodore 64.
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Ben Fino-Radin of Rhizome has published a plan to keep the organization’s venerable collection of digital art alive in the foreseeable future. The scheme builds on previous research by Richard Rinehart and Still Water’s Forging the Future coalition, of which Rhizome was a founding partner.
In recent weeks the ThoughtMesh publishing platform has expanded to include videos of conference proceedings, reports on the 2011 Egyptian revolution, and book-length publications.
Critical Code Studies has launched a Mesh to publish proceedings of their 2010 conference, in conjunction with a HASTAC Scholars Forum on the same topic of software studies. The launch coincides with a major ThoughtMesh upgrade from Still Water Senior Researcher Craig Dietrich that enables videos and articles to coexist side-by-side. The videos include talks by keynote speaker Wendy Chun and a host of prominent scholars.
ThoughtMesh is a free publishing platform created by Still Water with sponsorship from USC’s Vectors journal. Once “meshed” with this software, any document is automatically linked via automatically generated tags to related documents across the Web.
While the CCS Mesh gathers together seventeen presentations from the conference, many authors use ThoughtMesh to publish one document at a time. Just last week Egyptian-American Laila Shereen Sakr published a call to action based on her hash tag analysis engine that mines Twitter to follow anti-government protests in Egypt.
According to Colin Kloecker at the Walker Art Center, ThoughtMesh and The Pool are good tools for a healthy commons. He profiled these two open-source Still Water networks in a post leading up to the kickoff of the Walker’s Open Field initiative last June.
Academics are taking their own sweet time adapting to a networked world, at least to judge from two reports that surfaced on the iDC discussion list last week. To judge from Neil Selwyn’s “The Educational Significance of Social Media” and to the UC Berkeley study “Assessing the Future Landscape of Scholarly Communication,” there are still plenty of professors happily justifying their obsession with inbred subdisciplinary journals while Fox and Facebook steamroll over public discourse.
Forging the Future has just launched its own Mesh–a set of documents linked by ThoughtMesh software–on the topic of variable media and preservation. The Mesh includes seventeen essays from the book Permanence Through Change: The Variable Media Approach, making this acclaimed publication accessible to even more readers, and automatically linking it to other texts on preservation published across the Web.
“New Criteria for New Media” topped the list of the most downloaded article from MIT’s Leonardo Journal with 798 downloads as of this writing. This article by Joline Blais, Steve Evans, Jon Ippolito, Owen F. Smith, and Nathan Stormer proposes concrete new academic guidelines for evaluating scholarship in the digital age, and has garnered enormous attention from university researchers and administrators alike.
Still Water is pleased to announce the publication of 60: Innovators Shaping Our Creative Future, a landmark book on the occasion of the 60th anniversary of renowned art and design publishing house Thames & Hudson. Still Water co-directors Joline Blais and Jon Ippolito penned the new media section of this book, which profiles five of the most innovative creators on the planet today.
These visionaries take the lessons learned from experiments in online communities and apply them to real-world problems, whether making cities sustainable, holding corporations accountable, or re-imagining laws that govern the flow of information. Included among these innovators are Maine’s own Miigam’agan and gkisedtanamoogk, Wabanaki elders who are building bridges between their ancestors’ lifeways and the 21st century.
“Every now and again along comes a book that acts as a cultural bookmark … Thames & Hudson’s new doorstopper Sixty is just such a book” — Grafik Magazine
“A collection of incredible, truly inspiring work from all over the world.” — The Design Files.
“Showcases the most creative minds in fashion, architecture, photography, green technology and science.” — New Scientist
“Fascinating insights into global projects that may predict future directions are presented here in an informative and visually appealing format.” — Library Journal
Charta (Milan) has just published a new book on Eva and Franco Mattes, the notorious prankster activists of http://0100101110101101.org. The anthology features texts by authors such as Maurizio Cattelan, Bruce Sterling, and Still Water directors Joline Blais and Jon Ippolito.
The chapter by Blais and Ippolito expands a discussion from At the Edge of Art on Darko Maver, the most successful artist that never was. The Mattes’ skillful manipulation of artworld curators and journalists led to Maver’s posthumous inclusion in the 48th Venice Biennale, despite the fact that he never existed.