digital curation

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digital_fast_trackBuffing your digital credentials just got easier with UMaine’s impending approval of a fast track for its all-online Digital Curation certificate. The program will still deliver professional training in the complete workflow of collecting digital materials, from acquisition and representation to access and preservation. The new, streamlined curriculum option, however, enables students to complete the certificate in as short a time as nine months.

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Ippolito at Future Proof symposium, 2017Reinterpretation as a preservation strategy has been called “radical” and “dangerous,” yet this unconventional approach has seen a surge of interest in preservation communities in the past year. In a departure from conventional wisdom about conservation, a group of European preservation experts recently invited Still Water’s Jon Ippolito to reassess this controversial technique as a mainstream model for conserving cultural heritage.
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future_proof_lima_logoInterpreting the past has long been the province of historians, but reinterpreting it has recently become a concern of conservators. This most powerful, and most controversial, of preservation strategies can demand techniques not found in the traditional conservation lab, from 3d scanning to DNA computing. Several international conferences from Mexico City to Amsterdam recently spotlighted Still Water’s ongoing research into reinterpretation as a means of prolonging or resuscitating the past.

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facebook_written_logoDigital curators often fret about how to keep their data accessible for the long term, but users of Facebook accounts sometimes have the opposite problem. In one of several instances of New Media alumni in the press recently, Digital Curation professor John Bell tells you how to cut the cord without leaving your data hanging.
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Anne Knowles Digital Curation teleconferenceThe latest guest presenter for UMaine’s Digital Curation program uses digital tools to scour sites of trauma to recover stories of the traumatized.
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In 1994 artist Douglas Davis hit upon a surefire way to write a preposterously long sentence. He and his collaborators created a page on what was then a fledgling World Wide Web through which anyone could add words and phrases onto a growing string of HTML. Two decades later, it fell to digital conservator Ben Fino-Radin to restore this landmark of Internet art. He described the process–along with his work to recover the earliest Macintosh icons and manage digital collections at the Museum of Modern Art–in a teleconference this spring with students of the University of Maine’s Digital Curation program.

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International Handbook Museum MediaOnce dusty storehouses of antique patrimony, today museums are forced to re-imagine themselves for an age where culture is shared from smartphone to smartphone. Recent Still Water publications on reinventing museums for the 21st century are cropping up in anthologies like the International Handbook of Museum Studies and in interviews from The Library of Congress.

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mep_neh_grant_diagramIn a world where a search box is usually the only way to enter an online archive, John Bell builds wrecking balls that tear down the walls between institutional silos. His latest project, a collaboration with Dartmouth and UMaine’s VEMI lab, has won a National Endowment for the Humanities grant to help scholars access and annotate historical film and television from archives across the globe.

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Craig Dietrich DIG teleconference 2015As visiting luminary for the UMaine Digital Curation graduate program’s fall 2015 teleconference, Craig Dietrich challenged its students to consider how culturally sensitive archives and linked data can break the monoculture of one-size-fits-all paradigms for access and publication.

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Ludwig Museum Budapest

Ludwig Museum Budapest

In 2015 Re-collection: Art, New Media and Social Memory continued to gather attention from libraries, universities, and the press. This just-published MIT Press book by Richard Rinehart and Still Water Co-Director Jon Ippolito surveys new paradigms and techniques for safeguarding culture for future generations in the face of imminent technological obsolescence. Since last summer the tour included presentations in Aachen, Brussels, Budapest, Lewisburg, Oslo, Taiwan, and Toronto, as well as a webinar for the National Information Standards Organization.

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