The German town of Karlsruhe is no stranger to advanced technology, as home to the Karlsruhe Institute of Technology (KIT) and the ZKM Center for Art and Technology Karlsruhe. In his keynote for the November 2014 Digital Archiving conference at the ZAK Center for Digital Tradition (CODIGT), Still Water Co-Director Jon Ippolito presented advanced technologies as both the means for and object of novel preservation techniques. Emerging in Europe and the Americas, these new strategies harness everything from emulation to crowdsourcing to virtual reality.
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Professionals across the spectrum of cultural heritage institutions are struggling to keep up with an increasingly digital landscape, as confirmed by the 30-odd contributions to Mexico’s first Symposium on Audiovisual and Digital Archiving (SIPAD). Today’s curators and conservators have their hands full coping with constantly changing video formats and Web standards, not to mention convincing legislators and administrators to support the enormous effort and time required to bring collections into the 21st century.
On the eve of Mexico’s famous Day of the Dead, a handful of presenters at this event organized by at the National Institute of Anthropology and History suggested that a solution for exhausted professionals may come from unexpected sources. In his concluding keynote for the week-long conference, Still Water co-director Jon Ippolito urged professionals to learn from the surprising successes of amateurs in rescuing artifacts that would otherwise have been lost to obsolescence.