At Yale’s May 11th symposium “Is This Permanence?”, Still Water’s John Bell and Jon Ippolito help curators and historians plan for a digital future in which “archival material” could be a contradiction in terms.
News about projects of the Still Water lab at the University of Maine
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Buffing your digital credentials just got easier with UMaine’s impending approval of a fast track for its all-online Digital Curation certificate. The program will still deliver professional training in the complete workflow of collecting digital materials, from acquisition and representation to access and preservation. The new, streamlined curriculum option, however, enables students to complete the certificate in as short a time as nine months.
While the maker movement continues to gather publicity, one of its most critical dynamics seldom makes the headlines: the right to unmake. Now the College Art Association has published a call for presentations on unmaking and “Lego-like” creativity for its next annual conference in Los Angeles in February 2018.
In a world where a search box is usually the only way to enter an online archive, John Bell builds wrecking balls that tear down the walls between institutional silos. His latest project, a collaboration with Dartmouth and UMaine’s VEMI lab, has won a National Endowment for the Humanities grant to help scholars access and annotate historical film and television from archives across the globe.
Still Water Senior Research Fellow John Bell has been awarded an eLearning grant to develop a Tutorial Pool to go with department’s growing suite of online tutorials that form the core of its “Just-in-Time Learning” initiative.
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You shouldn’t prepare to be a librarian or curator with outdated tools, any more than you should study to be a doctor with a hacksaw and leaches. That’s why the University of Maine’s Digital Curation graduate program integrates cutting-edge software into its program. It’s also why its faculty chose an innovative tool that’s been called an email killer for their new learning environment–one that to our knowledge has never been used as courseware before.
The University of Maine’s Digital Curation program has already earned acclaim from its students, while the Education Advisory Board recognized it fulfills “a growing need in the public and private sectors” as employer demand for digital curation professionals has grown 60% from 2010 to 2013. Now, professors in the program have earned major awards that recognize their unique contributions to the field.
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If you’re over 30, chances are you’ve stumbled on a CD-ROM, game cartridge, or floppy disk in a box that you’d like to access but can’t, because you’ve long gotten rid of the hardware that went with it. Maybe you imagined your local library or museum has been stockpiling vintage Ataris and Mac 512s, but even they will be hard-pressed to keep obsolete hardware running in the long-term.
What if running those old programs were no harder than launching a Web browser? Last week Dragan Espenschied presented this option in a teleconference organized for students of the University of Maine’s Digital Curation graduate program.