Jon

Walker Open Field LogoThis past year saw several prominent museums open their doors to public participation in ways they had never before, such as inviting visitors to submit works for exhibition or help determine curatorial selections. At the kickoff event for the Walker Art Center’s Open Field program on 3 June, Jon Ippolito contrasts three different models for the commons such institutions can choose from–a market, a zoo, or a tribe.

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Academics are taking their own sweet time adapting to a networked world, at least to judge from two reports that surfaced on the iDC discussion list last week. To judge from Neil Selwyn’s “The Educational Significance of Social Media” and to the UC Berkeley study “Assessing the Future Landscape of Scholarly Communication,” there are still plenty of professors happily justifying their obsession with inbred subdisciplinary journals while Fox and Facebook steamroll over public discourse.

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Pool Approval v Relationships 2010 01Still Water’s John Bell and Jon Ippolito presented good news for underdogs everywhere at the NetSci 2010 conference, held last May at Northeastern University. Bell and Ippolito argued that the dynamics of creative networks may work to lessen inequalities that first appear when leaders in social networks receive high ratings. The findings are based on a study of student use of The Pool, a collaborative network where success is an emergent property of feedback from one’s peers.

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Ruhr 2010 LogoForging the Future’s latest tool for rescuing digital art from the ravages of technical obsolescence will be demo’d to European audiences for the first time when Still Water Senior Researcher John Bell presents at ISEA 2010 in Germany this August.

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This year’s crop of New Media Majors from the graduating class have created more than just a couple dozen outstanding capstone projects. By inventing startup companies based on cradle-to-cradle design and other local economies, many have envisioned a future for themselves in which earning a living is compatible with living sustainably. And some have businesses that are already taking off.

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Still Water Senior Researchers John Bell and Craig Dietrich join Nicole Starosielski, Vanessa Vobis, and Jon Ippolito in the online presentation “Avoiding a Cultural Bottleneck: Networked, Distributed, and Agile Collaborations” as part of the HASTAC 2010: Grand Challenges and Global Innovations Conference. The projects presented include the Metaserver and other projects of Forging the Future.

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Distant Neighbor Screenshot smaOn March 30, 2010, Joline Blais and Jon Ippolito present “Beyond Facebook: From Cliques to Kinship” as part of the University of Maine’s Women in the Curriculum and Women’s Studies Program.

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This second dispatch from DOCAM (Documentation and Conservation of the Media Arts Heritage, http://docam.ca) focuses on new tools and strategies for keeping new media works from premature aging and death. Here’s a thin sliver of presentations that stuck in my mind and relate to the theme of commissioning and collecting variable media.

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I’m on my way back from the final DOCAM conference in Montreal this week, trying to catch my breath from this two-day banquet of variable media research served up by the formidable Alain Depocas and his dedicated crew (Ludovic, Sophie, Catherine, et al.).

Over the past five years, DOCAM has pumped out gobs of deep research on documentation and preservation, including dozens of juicy case studies of artworks endangered in all kinds of delicious ways. Here are a handful of the myriad vulnerabilities that emerged from DOCAM’s case studies.

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A network analysis of The Pool will be featured at the Leonardo satellite symposium on Arts | Humanities | Complex Networks at the NetSci2010 conference on 10 May in Boston. This conference, held at the lab founded by renowned network theorist Albert-Laszlo Barabasi, brings together a cross-disciplinary group of scientists, artists, and scholars to examine old and new media through the lens of network theory.

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