February 2012

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In the digital art preservation field, we are in the middle of a crisis between contents versus containers. This is a crisis of substance, material substance opposing to conceptual/intentional substance of the artwork. What do we want? That all resources be directed towards to the preservation and storage of the original devices? Or, that each time it is exhibited, the artwork be constantly updated and adapted to new versions of hardware and software ? In other words, should we preserve the material (hardware/software) or the intent?

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Dml BadgesStill Water Senior Researcher John Bell and fellow Intermedia alumnus Rick Corey advance in Stages One and Two of the prestigious Digital Media and Learning Competition held in San Francisco this month.

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