Digital Curation LogoThe Digital Curation program is a two-year graduate certificate, taught online, intended for professionals working in museums, archives, artist studios, government offices, and anywhere that people need to manage digital files. The program walks students through the phases of managing digitized or born-digital artifacts, including acquisition, representation, access, and preservation. Registration opens soon!

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11belfast Coho Site Persp 3There are challenges to forming a harmonious community. But one thing everyone can agree on is the importance of food.

While the local food movement encourages us to shop within a hundred-mile radius, at Belfast Cohousing & Ecovillage, we have the opportunity to produce hundred-yard food. If we wanted to, we could plant raspberry ‘sharing’ bushes between neighbors yards, spiral herbs outside our kitchen doors, alternate apple and peach trees along the driveway, and dangle grapes and kiwi from the Common House trellis. And if knowing your farmer is key to food security, being your own farmer (even for just a blueberry bush or apple tree) is even better, because then we know what it means to generate life, food and community.

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Screengrab of Debra Levine’s DEMONSTRATING ACT UP Scalar project

Are footnotes obsolete? At this month’s Society for Cinema and Media Studies conference, Craig Dietrich suggests crediting other scholars is still necessary, but it’s no longer enough.

The Still Water Senior Researcher and USC digital studies professor argues that run-of-the-mill citation methods don’t cut it in today’s connected world, where technologies like RDF can provide a far richer context and encourage reuse of online scholarship.

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Figure 1. Vanessa Vobis, Crystal World (2008), Legion Arts-CSPS, Cedar Rapids, Iowa, USA
Figure 2. Vanessa Vobis, Mars Attacks Fragonard (2009), (106) Gallery, Grand Rapids, Michigan, USA
Figure 3. Julian Epps, The Cave (2008), FreesePop, Bangor, Maine, USA

Still Water Fellow Vanessa Vobis has a history of combining installation art and ecology. In 2007 she filled sandwich bags with tap water and after a couple weeks they burst with algae growth under natural light. This discovery led to her MFA thesis show, Nitpickers, at Legion Arts-CSPS in 2008 (Figure 1) and gallery shows including Mars Attacks Fragonard at Grand Rapids’ (106) Gallery (Figure 2). Later in 2008 she taught the inaugural installation class at UMaine’s Intermedia graduate program, prompting a student show at Bangor’s historic Freeses Building featuring a community theme and materials including pancakes, wheatgrass, and projections inspired by bioluminescence (Figure 3).

After moving to Los Angeles in 2009, Vanessa is continuing to connect people and natural resources, helping found the volunteer corps LA Green Grounds, working as a gallery interpreter and Master Gardener at LA County’s Natural History Museum, and creating an edible and native garden in her South LA backyard. Vanessa’s activities were toured last week by Still Water co-founders Joline Blais and Jon Ippolito, in Los Angeles for an ecology-themed set of activities at nearby University of Southern California.

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12losangeles Redesigning Blais ipp illThis week Joline Blais and Jon Ippolito join forces for a series of presentations at USC organized by Craig Dietrich, Still Water Senior Researcher and co-creator of Scalar.

The week culminates on Friday 2 March at the School of Cinematic Arts with Redesigning Reality, a hands-on session in hacking the “scripts” that govern us to make everyday life more sustaining and sustainable.

Workshop participants redesign their favorite foods and Web sites, looking to nature as a model for the victual and virtual.

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Dml BadgesStill Water Senior Researcher John Bell and fellow Intermedia alumnus Rick Corey advance in Stages One and Two of the prestigious Digital Media and Learning Competition held in San Francisco this month.

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In the digital art preservation field, we are in the middle of a crisis between contents versus containers. This is a crisis of substance, material substance opposing to conceptual/intentional substance of the artwork. What do we want? That all resources be directed towards to the preservation and storage of the original devices? Or, that each time it is exhibited, the artwork be constantly updated and adapted to new versions of hardware and software ? In other words, should we preserve the material (hardware/software) or the intent?

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11portland Perma Teach Blais Giordano illHow can rural economies and ecologies benefit from wired citizens? Still Water Fellow Miigam’agan and co-director Joline Blais tackle the subject along with New Media colleague Bill Kuykendall at two conferences organized by Maine Rural Partners and Portland Maine Permaculture.

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11orono giy Grow it Yourself Ipad vgaAt the 8th Annual ESTIA EcoPeace Conference, Still Water Co-Director Joline Blais asked her audience how to get more kids involved in growing food, connecting to the earth, and otherwise participating in conversations about a sustainable future.

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11florianopolis Abciber 8 illWhich is the oldest human record?

In his keynote presentation to the National Symposium of Brazilian Cyberculture, Jon Ippolito argues it is lurking in the Amazon rainforest.

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